14:30 - 19:30
  • MON: Closed
  • TUE: 14:30 - 19:30
  • WED: 14:30 - 19:30
  • THU: 14:30 - 19:30
  • FRI: 14:30 - 19:30
  • SAT: 14:30 - 19:30
  • SUN: Closed

Opening giovedì 7 febbraio ore 18.00 Da venerdì 8  febbraio 2019 al 16 marzo 2019

Ingresso libero dal martedì al sabato dalle 14.30 alle 19.30

Because time in this place does not obey an order

Curated by BHMF With the partnership of MAD Murate Art District

In collaboration with: Boomker Sound Studios Syracuse University Florence SRISA Vivaio Il Giardiniere Antonella Bundu Chris Norcross

And we can no longer breathe And we can no longer see But, in the escape compagno In the fear, compagno Like in the fight, compagno I will be forever by your side

Collettivo Victor Jara, Le Murate

These were the words written and sung by the musical collective Victor Jara days after the 1974 revolt at le Murate jails. Protest against unfit living conditions and oppressive forces are frequent in sites which separate, either willingly or by force, social groups from the world that surrounds them. The socio-spiritual nature of what is just and human worth is at the root of contemplation in isolation. These feelings originated from the artist’s encounter with Le Murate. Progetti Arte Contemporanea, they led the project. For the occasion of the fourth edition of Black History Month Florence current Rome Prize Fellow at the American Academy in Rome Karyn Olivier presents Because Time In This Place Does Not Obey An Order, a series of site specific installations that grapple with the relationship between justice and spirituality. The works engage the history of Le Murate and its transition from a site of spiritual recluse to a carceral space sifting through the continuity and contrast that these histories evoke. Mental health, social critique, isolation, the closeting of history and the conflation of senses set cloistered gardens in dialogue with the steady words of Martin Luther King Jr. writing from a jail cell and reveal traces of life behind closed doors which claims universal rights.

Karyn Olivier

Installation artist

Olivier is known for large-scale installations which provoke a disruption of public and private spaces. Familiar forms, altered in function and medium, create uncanny meditations on stagnancy, division and the weight of materiality. Her installations explore the poetics of space and the role of the viewers in shaping their own experience and engagement.

Miles. Assolo a fumetti

Miles Davis is one of the most iconic figures of Jazz history. His biography is one of complex evolution and artistic persistance. In many ways jazz is often far removed from the appreciation of younger generations and the magic of its expansion of sound and cultural impact are hence too frequently lost. This exhibition takes on the form of the comic book in order to narrate the life and times of Davis and the impulses behind some of his compositions which have gone on to become jazz standards. Lucio Ruvidotti transformed a love for jazz into a comic book that invites the viewer to an intimate look at this artist and celebrates the impact that he has had on the world of music. These works engage an audience that spans generations bringing this figure to the forefront, as Ruvidotti explains himself:

“I tried to tell story of this figure, the prince of darkness, the great artist, taking advantage of some episodes of his exuberant exaggerated life. But above all the goal was to show, through the language of comics, his music, incredibly evolved from the forties to the nineties.”

The comic strip released in 2018 by Edizioni BD tells the story through eight chapters entitled with the names of some of his most important compositions. Each part of the book is also distinguished by a different use of the color and composition of the table. Alongside the original drawings made by the artist, the exhibition shows a series of cartoon prints, accompanied by the music of Miles Davis that pervades the Emeroteca delle Murate room.

Lucio Ruvidotti

Fumettista e scrittore

Lucio Ruvidotti, is a young author active in the world of self-productions and on the page of the weekly Pagina99, his recent book portrays “The Prince of Darkness” in a biographical novel full of rhythms, colors and experimentation that gives natural evolution to an icon of the BD Rock necklace.

Black History Month Florence

Curatorial team

Black History Month Florence was founded in 2016 is a cross institutional network for Black cultural production that celebrates Afro-descendent Cultures in the context of Italy. The initiative is engaged in programming, advising and co-promoting over 50 events annually within the month of February, through a network formed and supported by the Comune, foundations, institutions, cultural associations, museums, schools and venues dedicated to art and to music. BHMF as a curatorial team is headed... by Justin Randolph Thompson and Janine Gaelle Dieudji.

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Justin Randolph Thompson

co-founder and director Black History Month Florence

Justin Randolph Thompson is a new media artist, cultural facilitator and educator born in Peekskill, NY in ’79. Living between Italy and the US since 1999, Thompson is Co-Founder and Director of Black History Month Florence, a multi-faceted exploration of African and African Diasporic cultures in the context of Italy founded in 2016. Thompson is a recipient of a Louise Comfort Tiffany Award, a Franklin Furnace Fund Award, a Visual Artist Grant from the Fundacion Marcelino Botin, two... Foundation for Contemporary Arts Emergency Grants, A Jerome Fellowship from Franconia Sculpture Park and an Emerging Artist Fellowship from Socrates Sculpture Park. His life and work seek to deepen the discussions around socio-cultural stratification and hierarchical organization by employing fleeting temporary communities as monuments and fostering projects that connect academic discourse social activism and DIY networking strategies in annual and biennial gathering, sharing and gestures of collectivity.



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Janine Gaëlle Dieudji

co-founder and director Black History Month Florence

Janine Gaëlle Dieudji is a bi-national French and Cameroonian graduate of Culture and International Relations from Lyon 3 University in France. She also holds a Master Degree in Political Science from Paris 2 Panthéon Assas University.

She’s been living in Florence, Italy, for the past six years, a city she has since fallen in love with. This is how Florence became home to her and the place where she started to build her career as an art professional. She considers herself as a... ‘multi­local’ by believing that we belong to all the places we have lived in. Home is where the mind can create and feel rested at the same time. This is what the life journey is made for, exploring to become the person we decide to be.

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