Born in 1984, is a Venice-based photographer represented by Contrasto.
His visual research focuses on social and environmental causes. He participated in several exhibitions, including the United Nations (Geneva, 2013), the Venice Biennale of Architecture (Venice, 2016), Head On Photo Festival (Sidney, 2020), MUFOCO (Milan,
2021) and Triennale (Milan, 2021). In 2019 he published “Era Mare”, a book about the high water in Venice, whose proceeds went totally to the shopkeepers who needed help. In 2020 he was awarded among the winners of the “REFOCUS” call by MIBACT for his work on Covid-19. In the same year he was selected by ARTRIBUNE magazine as the best young Italian photographer of the year. His images have been featured in The New York Times, The Guardian, The Washington Post, British Journal of Photography, Internazionale, Die Zeit, National Geographic and Vogue.

Born in Scandiano, Reggio Emilia, in 1992, lives and works between San Cesario sul Panaro (Modena), Lomé (Togo) and London.

After graduating in Photography at the London College of Communication, Rosi dedicated herself to the development of her own artistic research path, often starting from her family’s Togolese heritage and a confrontation with the concept of ‘origins’. Her work has been exhibited in various institutions and galleries in Italy and abroad, including: Brooklyn Museum, Brooklyn, NY (2024); Camera, Turin; Casino Luxembourg, Luxembourg (2023); Paris Photo – Ncontemporary, Paris; Centrale Fies, Dro (Trento); MAXXI, Rome; MA*GA, Gallarate (Varese); Le Centquatre, Paris (2022); LACMA, Los Angeles; CCC Strozzina, Florence; Les Rencontres D’Arles, Arles; Piccadilly Screen – CIRCA, London (2021); National Portrait Gallery, London; Jerwood Arts, London (2020).

Leonardo Magrelli (1989) lives and works in Rome. After studying Design first and Art History later, he began working as a graphic and book designer. A certain openness to manipulation and reuse of images, inherent in the graphic design work, as well as a particular attention to project and research, rather than instinctuality alone, are characteristics that remain visible in the author’s practice even after converting to photography. The awareness of images’ hybrid and ambiguous nature is in fact a constant subtext of his work, which varies from time to time between a more conceptual approach to photography and a more descriptive and documentary one, often mixing the two. Alongside his personal research, he collaborates with the collective Vaste Programme, founded with Giulia Vigna and Alessandro Tini in 2017, to experiment with post-photography, installations and new media.